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Hibernation of Time

For a brief moment every day, I bemoan the fact of my lack of time, promising myself the world will wait patiently while I finish my degree; that life happens outside of my understanding and awareness, and that it cares little about whether I’ve posted recently or not.

That said, I do miss writing and snapping new photographs.  Engineering classes are taking most of my time – what is spared gets spent with my family.

In an instant, schedules change and I have time to say hello.  Here’s what’s on my mind, though images are from years past:

This could have been a very bad day.
 
I stopped my car at the gate the Chimneys Campground picnic area (it was closed for the winter) with every intention of snagging the shot I’d been envisioning for nearly a month.  Camera and tripod in hand, I began slowly ambling down the snow-covered embankment leading from road to stream, mindful of my foot placement to the extent that if I felt something solid underneath the frozen white “blanket”, I put my weight upon it.  Though not a terribly steep nor long climb (around 100 feet), it took the better part of twenty minutes to navigate my way to water’s edge.  Along the way, the gloves – liners, really - soaked through and subsequently came off as the ambient temperature felt more comfortable to my aching hands.
 
Arriving at my intended vantage point, I quickly set up shop – I knew there were only moments before my hands, already beet red, became inoperable at which point safety would become an issue.  I misjudged my dexterity greatly.  What should have been a very quick “snap snap snap” became arduous almost instantly when I finally readied myself to take the first frame – my fingers had nearly frozen, becoming so stiff that to bend them was scarily painful.  I managed to set my dials by using the flesh of my thumb and, with no sensory feedback at all coming from its tip, had to resort to visually guiding my outstretched index finger on a severely craned hand to the shutter release.  The stream was too loud to hear any sound of the all-t00-often-awkwardly-noisy shutter.  Thankfully, preview mode was on and I’d thought to remove my sunglasses in the car lest they be lost in the fluff.
 
Somehow, this shot emerged of a bridge that nearly a half-billion people have traversed since its construction in 1937.
 
 (Kyle Kuykendall Kyle Kuykendall Kyle Kuykendall)
West Prong Bridge at Chimneys Campground – one of the many beautiful bridges along highway 441 in the Great Smoky Mountains National Park
 
With no noticably modern improvements other than a new roof completed in 2010, Mingus Mill still functions as it was intended, though today mostly for show.  Corn and wheat are ground to meal and flour by grist stones powered by the water from this sluce.
 
 (Kyle Kuykendall Kyle Kuykendall Kyle Kuykendall)
Mingus Mill greets a wintry evening in the same manner it has since since 1886, the grinding of corn and wheat coming to a slow halt at the end of a long day in the Smokies.
 
My friend Mark and I had planned this hike for weeks, both of us realizing the likelihood of cold temperatures.  Neither of us could have predicted two feet of snow would fall the Friday before our jaunt.  We ponied up to the challenge and found ourselves in Wonderland.  Taken early on in the trip, and with a 4mpx point-and-shoot camera, this scene depicts the starkness of our monochrome world.  This, essentially, would be our view for the next three days as we trekked to Walasi-Yi some 22 miles away.  Ambient temperatures dropped into the single digits at night and the only water source was beneath our feet for the entire journey.  I learned much from that weekend.  I’m no winter backpacker.
 
Damp trunks don silvery glitter as two feet of snow cover the gap at Unicoi. (Kyle Kuykendall)
Damp trunks don silvery glitter as two feet of snow cover the gap at Unicoi, the Sun setting a vague horizon alight with hopeful warmth that never comes.

 

The Color of Morning

The annual family vacation takes us to Myrtle Beach, South Carolina.  Not being fond of so much unnecessary (and trashy) commercialism as may be found along the bulk of the waterfront, I was determined this year to find a happier and healthier place in which to restore, as my good friend, Alliene, puts it – my engagement with the sublime.  I found it only a few minutes away from our hotel at Myrtle Beach State Park.  Arriving just after 6am with sunrise fast approaching, I hadn’t any time to waste and had the minimal parking fee dangling out the window as I approached the park gate house.

Setting up for a sunrise shot can be a bit tricky, especially in an unfamiliar setting.  Thankfully, enough light was already spilling over the horizon to make an easy determination of general direction.  I spied the pier, tested the sand to make sure my tripod wouldn’t move, and began a few test shots to make sure I had my exposure dialed in fairly well.  Moving the camera closer to the pier left my bag farther and farther behind but with hardly a soul on this pristine stretch of duned landscape there was no worry other than to periodically check that the tide hadn’t found the way to it.

 (Kyle Kuykendall)

The Myrtle Beach State Park fishing pier is silhouetted against a magenta sunrise.

Sticking a knee in sloppy wet sand isn’t the best way to stay clean but it does help to get the camera closer to the ground.  Provided a rogue wave doesn’t slurp its way onto your gear, super low placement of the camera can maximize the sand’s reflective properties.

 (Kyle Kuykendall)
The soaked sand at low tide offers a reflective view of a fishing pier at Myrtle Beach State Park.

 Similarly, the best way to get a great surf shot is to actually be in it.  Turning a blind eye to swell patterns is also the quickest way to ruin an otherwise functional camera.  I wasn’t in a hurry to replace my aging D-80 so I kept watch on the approaching waves, raising and lowering my camera as necessary.  Thankfully, my vertical reach is just under 9 feet so my gear remained dry.

 (Kyle Kuykendall)

The Sun finds its mirror in the lulls between waves at Myrtle Beach State Park.

 

 

Independence in Knoxville

 (Kyle Kuykendall)
Knoxville, Tennessee: Home of the infamous Sunsphere and purveyor of a mighty good Independence Day celebration.
The iconic Knoxville Sun Sphere reflects against the side of Ladder 1 as a gentle breeze enlivens a display of the flag of the United States of America during Independence Day celebrations. (Kyle Kuykendall)

The iconic Knoxville Sunsphere reflects against the side of Ladder 1 as a gentle breeze enlivens a display of the flag of the United States of America during Independence Day celebrations.

Worth the climb (Kyle Kuykendall)

Freedom is not static nor is it permanent, once attained. It requires diligent perseverence and is worth every step we take.

Ladder 15 of the Knoxville Fire Department show just how proudly the American Flag may be flown. (Kyle Kuykendall)

Ladder 15 of the Knoxville Fire Department show just how proudly the American Flag may be flown.

Ladder 1 proudly displays Old Glory at World's Fair Park in Knoxville, Tennessee as tens of thousands gather to celebrate Independence Day with a show of fireworks. (Kyle Kuykendall)

Ladder 1 proudly displays Old Glory at World's Fair Park in Knoxville, Tennessee as tens of thousands gather to celebrate Independence Day with a show of fireworks.The American Flag unfolds on Ladder 15.

American Flag flies above the Tennessee Veterans Memorial in Knoxville. (Kyle Kuykendall)

The Stars and Bars fly solemnly above the Tennessee Veterans Memorial in Knoxville, Tennessee.

Reflecting in the windows of those sworn to protect it, is the flag of the United States of America. (Kyle Kuykendall)
Reflecting in the windows of those sworn to protect it, is the flag of the United States of America.The pursuit of independence does not cease with the enactment of law; those charged with the dousing of fires may well be shepherds who continually tend and defend it.
American Flag reflecting in the windscreen of Ladder 1. (Kyle Kuykendall)

Right In Front of Our Eyes. The flag of the United States of America reflects in the windscreen of a City of Knoxville FIre Department ladder truck during Independence Day celebrations.

Zander Fan Camelot Ster

Zander Fan Camelot

Zander Fan Camelot Ster

Zanderous: \zan’-d(ə-)rəs\; existing exclusively and mightily as a horse may; perfect.

Every so often the little boy in me – the one that just knew the magician had really sawn a woman in half – comes alive.  There are no magicians in the equestrian world - only hard working women and men whose passions, at some point in their lives, found them poised somewhere between exuberance and obsession for these beasts upon whose backs great empires have been won or lost, who, for a time, taunted the industrial age with mighty feats of strength and speed, and who have been forever linked to the settling of the vastness which remains the American West; passion for these proud and wondrous creatures we call horses.

 (Kyle Kuykendall)

"His features black as to make pitch feel pale..."

My first recollection of thunderous hooves pounding and divoting the terra firma echoes as plainly in my memory as the first time I rode my bicycle without training wheels, both invoking an inexorable spirit of freedom.  No more noble a cause exists than to find that which rights us on our feet and sends us forth with purpose.  For horse people, there is no clearer path – it is their destiny to see that spirit which lies within each four-legged compatriot soar beyond expectation into the realm of wonder.

For horses, I imagine, the exhilaration of feeling the wind dappling its fingers through long, flowing manes, the sweetly- awakening sting of crisp air tickling the nose and pinching ears, the firm grip of a well-shoed hoof against the packed soil beneath and the motion-blurred sight of all but that upon which their gaze is fixed could be enough placation to tolerate the reins and bits, harnesses and saddles (never-minding the fortified meals, spa-treatment rub downs and massages).  Equilibrium deftly perches between the two: advocating master and enthusiastic beast.  Yin knows no better Yan.

Add to that the overwhelming roar of an approving, awestruck crowd and the scale bows strongly to that horse which loves to perform.

I doubt anyone “accidentally” becomes involved in this reverence that is horse showing; there is no shortage of back-breaking work to shun away the weak of character, and Saddlebred people are characters, indeed, reflecting the vivacious personalities found in their four-legged counterparts.  Zander Fan Camelot Ster has such a charisma.  His features black as to make pitch feel pale, his shoulders bulbously muscular and firm, Zander stands apparent with great certainty and vigor.  Every move and glance has intent; he is intensely conscious of his environment and its constituents.  His singularity is a testament to that notion of “once in a blue moon” and to that firmament upon which the very essence of free spirits alight.

Then, there are his “people”, without whom there may have been no such iconic Knight of the Friesians.

 (Kyle Kuykendall)

Victoria Gillenwater and Zander Fan Camelot Ster

Success seems attracted to Scenic View Farm’s Victoria Gillenwater, his owner, as a hummingbird to nectar, each sweetly lured and passionately driven to their cause.  Engraved on her ring are familiar words, “It is not what lies behind us, or what lies before us, it is what lies within us”.  Originally written by Henry Stanley Haskins, the inspirational words were later attributed to Ralph Waldo Emerson for the purpose of adding clout and impact.  They are again underscored by association with Victoria and her lovely Zander – the bright foal-turned-champion, bred in the land of Lindsey Pinkstaff Brownlee’s, Camelot Farms and disciplined by the deft and fair hands of his trainer, Jacques Van Niekerk.

There have been pivotal moments in my life when, with figurative eyes closed, I timidly envisioned my expectations and they appeared as plainly as the moon against a black sky.  Upon visiting Monet’s garden I understood the “why” of all his creations and could grasp his art not as isolated pieces, each often beheld unto itself, but as a reflection of all that surrounded him having become an extension of his charged soul and thusly he became the true measure of what an artist is.  Now I, having felt his breath upon my hands, seen the charisma and charm within his stare and having been witness to his grace and character it dawns on me that, in meeting Zander, I now understand how regal a horse may be.  There should be no wonder as to why medieval knights felt so emboldened while these magnificent creatures carried them into battle, for it was upon the shoulders of Friesian Royalty that they galloped.  Zander, it would seem, is then a King among Kings and I stand in awe.

 (Kyle Kuykendall)

Trainer, Jacques Van Niekerk, with Zander Fan Camelot

Lucky seven never knew what hit it…

Lucky Seven billiard ball perched between two spokes on the wheel of a double barreled cannon. (Kyle Kuykendall)

Perched in the spokes of Athens, Georgia’s infamous “double-barreled cannon” – one of two constructed by the ”secessionist” South to obliterate those “agressive” Northerners during the United States War of 1861, a miniature “lucky seven” billiard ball shows significant signs of wear as if to implicate “fat chance” in the failure of so many pocket calls.  There was equally little chance of the cannon firing properly, given its design which used asynchronous fuses and unbalanced barrel casts.  While its designer, John Gilleland, considered his creation a success, the unpredictable results of its three test firings (casualties being one cornfield, one chimney, one swath of pine forest and one cow) led those with any sense to realize the risk of mowing down “friendly” forces was equal to its grisly intended purpose and clearly not worthy of further contemplation.

While you may know the war by many names: Civil War, War between the States, War of Northern Agression, War of Southern Agression, Second American Revolution, War for the Union, War of Southern Secession, War of the Rebellion, Freedom War, War for Southern Independence, the personally assumed identity of those who invoke its remembrance fares from abolitionist to sharecropper to former slave to plantation owner…and also English cotton trader.  England, apprehensive to entry into a war on American soil for fear of losing their grain supply, returned to India, from which it formerly had received most of its cotton needs, Egypt and Argentina to provide the necessary raw textile material instead of allowing itself and its economy to suffer, beholden to the whimsical taxations of an aggressive and increasingly violent foreign entity.  “King Cotton”, as it were – the South’s one and only internationally playable card – became more the pauper than prince and the vast stores of cotton Europeans countries possessed weathered them through the next 5 years while the U.S. sorted out its “civility”.

Luck, for the South, and depending on your perspective, could be seen as empty, blind or divine.  For some, it simply ran amok like a double-barreled cannon ball, the seventh of which, ironically, was fired as a signal that “The Northerners are coming – the Northerners are coming!”  It turned out to be a false alarm.  For the South, the war became not a game of skill but of chance and for the North, fate was on their side like so many lucky sevens in their corner pocket.

ISO 1000
1/100 sec
F/6.3
200mm

More images at kylekuykendall.com